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Panubli: Celebrating Indigenous Heritage Through Art and Advocacy

In a meaningful celebration of National Indigenous Peoples Month 2024, the “Panubli” art exhibit at La Consolacion College Bacolod highlighted the rich cultural heritage and artistry of the Philippines’ Indigenous communities. Organized by the School of Sciences, Liberal Arts, and Teacher Education (SSLATE) in collaboration with the Center for Music, Arts, and Culture (CMAC), the exhibit brought attention not only to the beauty of Indigenous art but also to the urgent need for cultural preservation and environmental sustainability.

The term Panubli—meaning “heritage”—reflects the event’s core message: preserving and honoring the traditions, values, and artistic expressions of the country’s Indigenous peoples. At its heart, the exhibit sought to educate the academic community about the diversity of Indigenous cultures and the role art plays in maintaining these traditions. It served as a reminder of the importance of understanding cultural heritage in shaping national identity.

Central to the exhibit was a focus on how Indigenous art forms—textiles, patterns, dances, and music—carry deep connections to the environment and ancestral knowledge. This connection was reinforced by guest speaker Kate Marvee Singson, an alumna of LCCB’s Fine Arts program, who spoke about her advocacy for sustainable fashion. Through her work in creating eco-friendly textiles inspired by Indigenous patterns, she underscored the importance of sustainability in both the arts and broader society.

“Panubli” was more than just an art exhibit; it was a call to action for cultural and environmental advocacy. The event highlighted how modern society can benefit from Indigenous wisdom, particularly in sustainable living and environmental protection. Moreover, the Oath of Indigenous Peoples Act, which was presented during the event, emphasized the community’s responsibility to protect and promote Indigenous rights and heritage in the face of modern challenges.

The exhibit and its accompanying discussions resonated deeply with attendees, urging them to reflect on the intersection of culture, environment, and identity. By elevating the voices and art of Indigenous communities, “Panubli” succeeded in fostering a greater

appreciation for the richness of Filipino heritage while advocating for the preservation of these invaluable cultural assets for future generations.

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